Mood

Some current inspiration...

Henri Matisse (1869-1954) La fenêtre ouverte (1911) oil over pencil on canvas 72.7 x 60.3 cm

Henri Matisse (1869-1954) La fenêtre ouverte (1911) oil over pencil on canvas 72.7 x 60.3 cm

Colour inspiration

Colour inspiration

Betty Woodman, The Red Window, 2014, (detail) glazed earthenware, epoxy resin, lacquer, acrylic paint, canvas, 85 x 82 x 13 inches (215.9 x 208.3 x 33 cm).

Betty Woodman, The Red Window, 2014, (detail) glazed earthenware, epoxy resin, lacquer, acrylic paint, canvas, 85 x 82 x 13 inches (215.9 x 208.3 x 33 cm).

Joseph Mallord William Turner

Joseph Mallord William Turner

Elizabeth Peyton

Elizabeth Peyton

Lori B Goodman 'A dwelling of pink' 

Lori B Goodman 'A dwelling of pink' 

Monet in his garden

Monet in his garden

Paul Cezanne, Study of Trees, 1904

Paul Cezanne, Study of Trees, 1904

Spring in Fukushima.

Spring in Fukushima.

Joan Mitchell on how nature inspired her art

Joan Mitchell's paintings are easily recognisable, they are known for being  large gestural paintings with compositional rhythms. Inspired by landscape, nature, and poetry, her intent was not to create a recognisable image, but to convey emotions.

'My paintings repeat a feeling about Lake Michigan, or water, or fields...it's more like a poem...and that's what I want to paint.'

Joan Mitchell in artist studio On how Nature Inspired her

Mitchell's early success in the 1950s was striking at a time when few women artists were recognised. She referred to herself as the "last Abstract Expressionist," and she continued to create abstract paintings until her death in 1992. Joan Mitchell's work was greatly inspired by landscapes, nature and its effect on her.

'My paintings are titled after they are finished. I paint from remembered landscapes that I carry with me - and remembered feelings of them, which of course become transformed. I could certainly never mirror nature. I would more like to paint what it leaves with me.'

Joan Mitchell (American, 1925–1992), Begonia, 1982, Oil on canvas, 111 1/2 x 80 inches, Gift of Dr. and Mrs. Armand J. Castellani, 1991

Joan Mitchell (American, 1925–1992), Begonia, 1982, Oil on canvas, 111 1/2 x 80 inches, Gift of Dr. and Mrs. Armand J. Castellani, 1991

“Sunflowers are something I feel very intensely. They look so wonderful when young and they are so very moving when they are dying. I don’t like fields of sunflowers. I like them alone or, of course, painted by Van Gogh.”

7 Inspiring Artist Studios

I recently moved into a new studio,for a bit of inspiration I looked at some of my favourite artist's studios, here are 7 inspiring artist studios below.

 

Barbara Hepworth

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Paul Cezanne

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paul cezanne inspiring artist studio.jpg

Joan Miro

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Joan Miro inspiring Artist studio .jpg

Georgia O'Keefe

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Helen Frankenthaler

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Willem de Kooning

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A walk in the forest

How do we look at a scene what' do you take in what is left with you after you have left that place?

After walking in a forest the greens and textures and sounds become distilled into moments played out in these drawings.  I'm interested in how you can view art so you see the work on a macro and micro level just like looking out in a forest. Tony leaves and huge trees with the distances all on the same plane. It's a challenge and joy to try and translate moments and perspectives from nature into canvas.

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Laura Gee Art Workshop - Refinery 29 x Adidas

I was thrilled to be asked by Refinery 29 UK to host an art workshop as a post run event in collaboration with Adidas at their London studio for women in London.  Refinery29 is an inspiring and empowering online platform for women who want to have thought provoking conversations and inspiration to live a more creative life. I decided to create a workshop using the techniques I use to create my abstract flower garden paintings.

It was an honour to be able to talk about how nature inspires my art, why I love abstract painting and the different techniques I use, which then about 40 women got to try out for themselves!  It was a great evening and some beautiful results using the different painting techniques Here are some photographs of the Abstract Flower Art workshop.

Studio Series - Flower Garden Video

I've been busy creating a new body of work for a new series called 'Flower Gardens'. Whilst painting I take photos to document the process for myself and also to share online, I find it useful to try and see it with fresh eyes, and seeing it through a lens can achieve this new perspective.  

Each painting becomes a journey, as I work intuitively I never know where its going to end up, once finished I look back and see all the different layers, marks and colours interact and sometimes I think,'I did'nt do that',  it sometimes feels unconscious.  I get into a flow state where hours pass by where I  am mixing and painting colours, responding to the previous marks on canvas. Once I step back I see the new layer unfold, the painting grows before my eyes. I've been wanting to try and document this journey and filming is a way to achieve this. I am working out how to do this without it being intrusive to the creating.

So for now I have been documenting parts of the creative process, here is my first video showing more of the process of how the colour studies, flower studies and painting on canvas all build up to the final piece. Its a start and theres a lot to improve on, but I'm excited to video more of my inspirations and process in the studio in a way for me to learn more, and to share more with you about my practise.

If you want to be notified about new work, and more about my process and upcoming events, you can subscribe to my art newsletter, which  I send out about once or twice  a month, if you're interested you can subscribe here...

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summer series - inspiration

Inspiration and mood for my new summer series, I've been inspired by the full bloom of flower garden's, I've enjoyed cretaing warmer paintings inspired by Monet's waterlilies. This summer series has given me a new approach towards my paintings, using impressionist style of brushstrokes, mixed with my favourite artists Howard Hodgkin and Joan mitchell use of expression in colour and emotion, I'm excited to show the new paintings in the next few weeks. To be updated on when the pieces will be available online you can sign up to my newsletter below this post.

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Spring Poetry

Reminder from poet Nayyirah Waheed

Reminder from poet Nayyirah Waheed

mark making as writing - studies 

mark making as writing - studies 

Poem by Rilke as interpreted by the artist’ [Cy Twombly, Coronation of Sesostris

Poem by Rilke as interpreted by the artist’
[Cy Twombly, Coronation of Sesostris

Details of new painting 'Love Poem'

Details of new painting 'Love Poem'

Recently discovered  ancient greek poet Sappho.  'Midnight Poem'

Recently discovered  ancient greek poet Sappho.  'Midnight Poem'

details of 'Alive' painting  

details of 'Alive' painting

 

DRAWINGS FROM THE SEA

I went to Hastings for a day trip at the weekend, as I returned to the studio this week I created some mark makings whilst thinking of the sea, the sensations of the pebbled beach underfoot, the salty air, the erosion. Also Inspired by Cy Twombley's  - poems to the sea , see below

 
        sea washes over me.  marks on pebbles.  erosion . skin.  take the salt back to the city.

        sea washes over me.  marks on pebbles.  erosion . skin.  take the salt back to the city.

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SPRING IS HERE

Spring has arrived and with it a desire for lightness and softness in my work, and calmness in my life, I'm slowing down, marking the paper, tracing lines, making subtle washes with a dose of concentrated energy. I am also interested in adding more writing as markmaking .

The softness and subtly of the muted washes have also been inspired by one of my favourite artists Auguste Rodin, know for his sculptures, he also created beautiful drawings and watercolours of figures.

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Studio Portrait

 
 
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The talented photographer and friend Ellie Smith visited my studio with her amazing Bronica camera and captured a few portraits of me in the studio, I love Ellie's dreamy photographs and how she captures light creating beautiful dreamy and intimate photographs.

 

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Thanks Ellie  

LG x

LOOKING BACK AT YOU

 

 

I've been looking back at my old drawings, these drawings  to me represent the start of my abstract journey, at the time I was creating observational drawings of plants and life models and realised I was more interested in the abstraction of the form, and the energy the subject matter represented to me rather than depicting it realistically. 

The immedicay and fragile nature of mark making and drawing has always excited me, it feels very intimate like seeing a handwritten letter. I love how marks can evoke such strong emotions and also can represent those emotions and intimacy in a very authentic way.

I'm excited to start drawing more into my paintings and see how these two elements interact. x

 
 
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